Newsletter & Staff Favorites

Staff Favorites

Let the Great World Spin by Colum McCann

McCann's sweeping new novel hinges on Philippe Petit's illicit 1974 high-wire walk between the twin towers. It is the aftermath, in which Petit appears in the courtroom of Judge Solomon Soderberg, that sets events into motion. Solomon, anxious to get to Petit, quickly dispenses with a petty larceny involving mother/daughter hookers Tillie and Jazzlyn Henderson. Jazzlyn is let go, but is killed on the way home in a traffic accident. Also killed is John Corrigan, a priest who was giving her a ride. The other driver, an artist named Blaine, drives away, and the next day his wife, Lara, feeling guilty, tries to check on the victims, leading her to meet John's brother, with whom she'll form an enduring bond. Meanwhile, Solomon's wife, Claire, meets with a group of mothers who have lost sons in Vietnam. One of them, Gloria, lives in the same building where John lived, which is how Claire, taking Gloria home, witnesses a small salvation. McCann's dogged, DeLillo-like ambition to show American magic and dread sometimes comes unfocused—John Corrigan in particular never seems real—but he succeeds in giving us a high-wire performance of style and heart. ~  Publisher Weekly

One Day by David Nicholls

The episodic story takes place during a single day each year for two decades in the lives of Dex and Em. Dexter, the louche public school boy, and Emma, the brainy Yorkshire lass, meet the day they graduate from university in 1988 and run circles around one another for the next 20 years. Dex becomes a TV presenter whose life of sex, booze, and drugs spins out of control, while Em dully slogs her way through awful jobs before becoming the author of young adult books. They each take other lovers and spouses, but they cannot really live without each other. Nicholls is a glib and clever writer.  This book is bound for the ’big screen’.

Mudbound by Hillary Jordan

 

Hillary Jordan's first novel is a luminous, lovely and at times achingly painful depiction of America at a time of its greatest glory and shame. Set at the end of World War II, it follows the vastly different homecomings of two returning war heroes--one black, one white--to the Jim Crow south. Jordan uses deftly lyrical writing (judiciously salted with both humor and pathos) and a breathlessly brave approach to tell her story: a diverse chorus of different characters (black and white, male and female) weave their voices together in observations of race and rural farm life in the 40's. The result is a delicately-choreographed, operatic tragedy that unrolls with graceful inevitability, culminating in a climactic scene that will reverberate for this reader (and writer) for years to come.